![]() ![]() It is unclear how long that insouciant, minxy performance can bewitch audiences, but for now, Depp plays much better as a reactive force than when she is forced to do some solo reflection. She makes for a compelling aspirant pop star, both wounded and obnoxious. Much of this opening act, which takes up half the episode, hinges on Depp, whose previous biggest acting credit was opposite ex-boyfriend Timothée Chalamet in 2019’s The King. Rachel Sennott provides the show with its single shot of warmth as assistant Leia her nagging energy and genuine concern for Jocelyn balance some of the episode’s flatter stretches. There is plain-talking Nikki (Jane Adams, who gets all the best lines this episode), publicist Benjamin (Dan Levy), manager Xander (Troye Sivan), Live Nation rep Andrew (Eli Roth), and Destiny (Da’Vine Joy Randolph). Everyone around Jocelyn finds out about the photo before Jocelyn herself does.īy the time she discovers why everyone is acting weird, they’ve already begun to spin it: is she a victim? Is she a slut? Could this actually be an empowering moment? None of those discussions are interesting, but the ecosystem’s dynamic is. Regardless of whether this is provocative or gratuitous (or indeed, both), the leak is an effective plot device delineating the pop star’s entourage. If you were wondering whether The Idol is a series that would dare to show that photo: it is. She is, as one label rep notes, “frosted like a pop tart”. In this episode, “Pop Tarts & Rat Tales”, the crisis du jour is that a private photo of Jocelyn in a compromising position has leaked. ![]() She’s at war with an intimacy coordinator (she wants to show her nipples, he harps on about her rider’s no nudity clause), unhappy with the direction of her music (the snippets of her new song do sound a little uninspired), and more than a little disassociated (do you want to watch Lily-Rose Depp smoke languidly? Boy, do we have a show for you!). ![]() In the wake of this personal crisis, Jocelyn seems to be a little lost. ![]() It is not the most original opening to The Idol, co-created by Euphoria’s Sam Levinson and The Weeknd, but Depp manages to sell the scene, and that rings true for this debut episode, an enjoyable albeit frequently frustrating hour of sleazy summer fun.Ī little background on the pop star (it is not clear what level of success she has reached, though she is compared to Britney Spears at one point): her mum recently died from cancer, and she had some kind of breakdown. The photographer asks for a laugh, a few doe-eyed shots, a mischievous look or two, pure sex, and then finally, emotion. "The general idea was always the same, which was this idea of, we cut right into an intervention and it's Rue just ripping her life apart and setting her life on fire and kind of tearing everything to the ground to basically come to hopefully what feels like rock bottom for her,” Zendaya said.We begin with Jocelyn (Lily-Rose Depp), posing for the cover of her new album. During her interview, Zendaya revealed that this episode has been in the works since season one, always with the intention of being “intense,” though details have been tweaked. To say this is Rue’s most devastating episode to date would be a large understatement - a breaking point Zendaya says has been a long time in the making for both the actors and the viewers. After every take, we're hugging each other, we're talking through it, we're embracing, checking in, because obviously it's like a war zone.” Tackling the scene together was a feat Zendaya remembers as “emotionally taxing, but also physically taxing." I'm very grateful that I'm in a space where I feel comfortable and safe, and with actors and actresses that I'm obviously very close with. “And I think just allowed me to just kind of release all of that. “The reason I'm an actor is I'm quite empathetic person and what I often do, I take on a lot of other people's pain and a lot of other people's stress and fears and anxieties, as well as my own,” Zendaya told EW. ![]()
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